Uttaranga
Uttaranga is the upper tetrachord of the Hindustani scale. It is composed of the notes Re, Ga, Ma, and Pa. The uttaranga is often used to create a sense of excitement or energy in a raga.
Baadi
Baadi is a type of taan that is played in a slow tempo. It is often used to create a sense of grandeur or majesty in a raga.
Smabadi
Smabadi is a type of taan that is played in a medium tempo. It is often used to create a sense of balance or harmony in a raga.
Beebaadi
Beebaadi is a type of taan that is played in a fast tempo. It is often used to create a sense of excitement or energy in a raga.
Anubaadi
Anubaadi is a type of taan that is played in a descending order. It is often used to create a sense of calmness or reflection in a raga.
Bibhag
Bibhag is a type of taan that is played in a short, staccato style. It is often used to create a sense of drama or intensity in a raga.
Achalswara
Achalswara is a note that is played without any ornamentation. It is often used to create a sense of stability or grounding in a raga.
Vikritaswara
Vikritaswara is a note that has been altered from its pure form. There are two types of vikrita swaras:
- Komal swaras are flat notes. They are represented by a dash below the corresponding note letter. For example, Re- is a komal re.
- Teevra swaras are sharp notes. They are represented by a bar above the corresponding note letter. For example, Ma+ is a teevra ma.
Shruti
Shruti is the smallest unit of musical pitch in Hindustani classical music. It is often compared to a microtone. Shrutis are used to create a sense of nuance and subtlety in a raga.
Laxman Geet
Laxman Geet is a type of devotional song that is sung in praise of Lord Rama. Laxman Geet are often sung in the khayal style and are characterized by their simple melodies and heartfelt lyrics.
Naad
Naad is the fundamental sound of the universe. It is believed to be the source of all music and art. Naad is often described as a divine vibration or energy that permeates all of creation.
Dhwani
Dhwani is the audible manifestation of naad. It is the sound that we hear when we listen to music. Dhwani is often described as a beautiful and moving sound that can evoke a wide range of emotions.
Thaat
Thaat is a scale or mode in Hindustani classical music. There are ten main thaats, each with its own unique characteristics. Thaats are used to create a sense of mood or emotion in a raga.
Taali
Taali is the basic rhythmic unit in Hindustani classical music. It is composed of four beats, divided into two groups of two. Taalis are used to create a sense of rhythm and structure in a raga.
Bhajan
Bhajan is a type of devotional song that is sung in praise of a deity or spiritual figure. Bhajans are often sung in a simple, repetitive style and are characterized by their heartfelt lyrics and melodies.
Sanchaari
Sanchaari is a note that is used to connect two other notes in a raga. Sancharis are often used to create a sense of movement or flow in a raga.
Aabhog
Aabhog is the final note of a raga. It is often used to create a sense of closure or resolution in a raga.
Taan
Taan is a type of improvisational melody that is played on a stringed instrument. Taans are often used to showcase the musician’s technical skill and creativity.
